When we think of the Grand Budapest Hotel,
we perceive a lighthearted comedy, served deliciously on
a silver platter,a stance cemented by the light pink
hue that imbues the first minute and a half of the motion picture.
But when we look beyond that, The Grand Budapest Hotel
is nothing short of a tragedy, shown in a most gorgeous
and aesthetic manner.The film is divided into four timelines.
The first involves the timeline of M.Gustave, the second
involving thetimeline of Zero Mustafa and the younger
self of the author, the third involving the elder self of the author
and the fourth involving the period post the death of the author.

The Grand Budapest Hotelis a masterclass in its usage of
framing and color. It is abundant in visual appeal and aesthetics,
while having hidden metaphors and symbolism laid across the film.

The colors that are swatched from the movie
have a balance of warm and cold colors that
makes the pairing of colors look contemporary contrast.